Abstract
The research project presented here aims to examine from an annotated translation process, how poetic construction of death works - which means a hopeless fact and difficult to understand, places in the art a way of reflection - at threnos of Simonides (VI-V b.C.) and Pindar (VI-V b.C.), it means, in a subgenre of Greek mélic late-archaic, associate with funeral rites, still not so studie…