Art/Architecture/Design: current technologies in the Metro of São Paulo.
From concretism to the amusement park? The course of technological art in the Braz...
The American influence in the development of Brazilian technological art
Full text | |
Author(s): |
German Alfonso Nunez
[1]
Total Authors: 1
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Affiliation: | [1] Universidade de São Paulo - Brasil
Total Affiliations: 1
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Document type: | Journal article |
Source: | ARS (São Paulo); v. 17, n. 35, p. 93-115, 2019-05-02. |
Abstract | |
ABSTRAT In this text, we investigate the emergence of the artistic practices designated by the term Art, Science and Technology (AST) in the United States and Europe. Usually recognized by the labels Digital or Technological Art, AST is an umbrella term that arguably includes artistic practices concerned with the adoption, theorization and diffusion of new postwar technologies. Nevertheless, we argue that it is the institutional configuration that best delimits the boundaries of AST. Through an investigation unconcerned with the legitimation of this production, we review the social and cultural context that made the AST possible. Regarding its relation with contemporary art, our results ascertain an isolated, highly specialized and mainly autonomous artistic practice. (AU) | |
FAPESP's process: | 17/13635-5 - From concretism to the amusement park? The course of technological art in the Brazilian artistic field |
Grantee: | German Alfonso Nunez Canabal Junior |
Support Opportunities: | Scholarships in Brazil - Post-Doctoral |