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(Reference retrieved automatically from SciELO through information on FAPESP grant and its corresponding number as mentioned in the publication by the authors.)

HISTORY AND SOUND CULTURE: THE HISTORICIZATION OF LISTENING AND SOUNDS

Full text
Author(s):
Virgínia de Almeida Bessa [1] ; Juliana Pérez González [2] ; Cacá Machado [3] ; José Geraldo Vinci de Moraes [4]
Total Authors: 4
Affiliation:
[1] Universidade Estadual de Campinas. Universidade de São Paulo São Paulo - Brasil
[2] Universidade de São Paulo - Brasil
[3] Universidade de São Paulo - Brasil
[4] Universidade Estadual de Campinas - Brasil
Total Affiliations: 4
Document type: Journal article
Source: Revista de História; n. 182 2023-12-22.
Abstract

Abstract The article provides an overview of recent production focused on the historicization of sounds and listening, present in the texts that compose the dossier História e Cultura Sonora. In general, it is possible to indicate that three major currents prevail in these works: the anglophone Sound Studies, the History of Sensibilities of French tradition and Latin American studies, which, although inspired by the previous two, strive not to confine themselves to classical discussions but to reflect on the specificities of sound production and modes of listening within their cultures. The text also evaluates the impact of phonography and the digitization of sound collections on historiographical production in the field of Sound Culture. (AU)

FAPESP's process: 22/04017-4 - Sounds, noises, rumors and urban eavesdropping: practices of a new sound culture at the beginning of the 20th century
Grantee:José Geraldo Vinci de Moraes
Support Opportunities: Regular Research Grants