| Full text | |
| Author(s): |
Regis Augustus Bars Closel
[1]
Total Authors: 1
|
| Affiliation: | [1] Universidade Federal de Santa Maria - Brasil
Total Affiliations: 1
|
| Document type: | Journal article |
| Source: | Gragoatá; v. 29, n. 63 2024-07-29. |
| Abstract | |
ABSTRACT This article argues that Middleton's city plays offer a different insight into the logics of the land-related relationships. Land and the social space it generates is a catalyst that drives the action and sets a city’s “stereotypical forces” in motion, an impulse prior to the promises of courtship and exchange of wealth. Therefore, land works simultaneously as a passive commodity as well as an active centre for competing and conflicting interests. Focusing on The Phoenix and (1603-4) No Wit/Help Like a Woman’s (1611) and relying on Henri Lefebvre's (1991) spatial concepts, I explore the relationship between women and the economics of the social space. (AU) | |
| FAPESP's process: | 16/23470-0 - Land Politics in English Renaissance Drama |
| Grantee: | Régis Augustus Bars Closel |
| Support Opportunities: | Scholarships abroad - Research Internship - Post-doctor |
| FAPESP's process: | 16/06723-2 - Arden of Faversham: Study and Translation |
| Grantee: | Régis Augustus Bars Closel |
| Support Opportunities: | Scholarships in Brazil - Post-Doctoral |