Latency, resonance, oppeness: a study on Luciano Berio´s compositional thought
Three uses of musical quotation in the twentieth century: an analysis of Phorion b...
Atonalism in Edino Krieger: Epigramas (1947) and 3 Miniaturas (1949-52) musical an...
Claude Debussy and Olivier Messiaen: musical analysis of three Preludes
SYMMETRY IN THE MUSIC OF THE FIRST HALF OF TWENTIETH CENTURY: the Villa-Lobos in p...
Analysis of Bartok's works with emphasis to the contrapuntal processes