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| Author(s): |
Rejane Kasting Arruda
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2014-05-08 |
| Examining board members: |
Armando Sérgio da Silva;
Eduardo Tessari Coutinho;
Renato Ferracini;
Rubens Arnaldo Rewald;
Veronica Fabrini Machado de Almeida Rocha
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| Advisor: | Armando Sérgio da Silva |
| Abstract | |
This thesis proposes a structure for actor\'s pedagogy and creation, articulating three functions (incidence, framework, and vulnerability). Its premises are two structural concepts - \"anteparo\", and \"fingerprint\" - after Prof. Dr. Armando Sergio da Silva\'s work at USP. The hypothesis is the \"arrangement\": many \"anteparos\" (materials) at the same time implicated in the creation of a fingerprint (the actor\'s inscription in scene\'s poetics). The method is the assisted creation at the \"Centro de Pesquisa em Experimentação Cênica do Ator\" - CEPECA (Center for Actor\'s Scenic Experimentations Research), articulated with the pedagogical practice, theater\'s theory, and the work of Jacques Lacan. Some procedures are formalized: a) the framework\'s game, and b) the pre-game - a hybrid between the creation of a physical score and improvisation, based on an articulation between different praxis (Khan\'s \"memorization through writing\"; Grotowski\'s \"immobility training\"; Kusnet\'s, Stanislavski\'s, Knebel\'s, Adler\'s, and Spolin\'s visualization, verbalization, and writing; and the principle of performative deformation and abstraction). Two paradigmatic oppositions (anti-dramatic and anti-realistic) are questioned and, in the end, an ethics of hybridism emerges through the dismantlement of arrangements for material\'s extraction and the creation of a creations\' style. In the light of Dunker\'s concept of \"figures of the objet petit a\", actor\'s creation is understood as something that questions the form\'s limits and implicates an excess that points out to something non-inscribed in language. (AU) | |