Reception of ancient Greek and Roman literature in the works of Paulo Leminski
Nymph in flower: the legs, the enigma, the hot dances of Carlos Drummond de Andrade
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Author(s): |
Renan Nuernberger
Total Authors: 1
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Document type: | Master's Dissertation |
Press: | São Paulo. |
Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
Defense date: | 2014-08-11 |
Examining board members: |
Viviana Bosi;
Iumna Maria Simon;
Beatriz de Moraes Vieira
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Advisor: | Viviana Bosi |
Abstract | |
The following study offers an interpretation of a specific phase in the Brazilian poetry of the 1970s, taking into account the relations, both implicit and overt, that can be established between it and the theoretical and textual creations of the Concrete poets of the 1950s. In order to do so, a broad range was chosen for this research, in which documents from the period as well as the gradual changes in the Concrete poets stances during the decades of 1960 and 1970 were noted, as a means of clarifying the forms of incorporation or denial of the Concretes general assumptions at that time. Moreover, this study paid attention to the works scattered in magazines and non-commercial anthologies and editions of the young poets who were self-proclaimed inheritors of Concrete poetry, more specifically, Paulo Leminski, although some considerations were made concerning the socalled poesia marginal. (AU) | |
FAPESP's process: | 11/05353-3 - Inquietudo: some Brazilian poetry, 1970-1980 |
Grantee: | Renan Nuernberger |
Support Opportunities: | Scholarships in Brazil - Master |