Full text
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| Author(s): |
Ligia Rivello Baranda Kimori
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2014-09-30 |
| Examining board members: |
Therezinha Apparecida Porto Ancona Lopez;
Ligia Fonseca Ferreira;
Alcides Celso Oliveira Villaça
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| Advisor: | Therezinha Apparecida Porto Ancona Lopez |
| Abstract | |
The dissertation focuses on Mario de Andrade reader of brazilian parnassians from his margin notes in the authors and works with whom he dialogues, in his private library in the second half of the decennary of 1910 and before 1921, when the Jornal do Comércio stamp a series of seven articles, \"Mestres do passado\", in wich he stands as modernist. To the twelve titles linked to the approach of the parnassian poets Francisca Julia, Raimundo Corrêa, Alberto de Oliveira, Olavo Bilac and Vicente de Carvalho, in the articles referred, is limited to exploitation of handwritten notes that preserve instances of the creative process and critical of Mário de Andrade poet in training, in the first part of this masters degree. The full recovery of his margin notes, by transcription and classification accompanied by notes explaining certain aspects of the research and plotting correlations with works of the writer composes the second part of the dissertation, which is also part of a rigorous working tool for studies on the writer and on the parnassianism in Brazil. (AU) | |
| FAPESP's process: | 11/04086-1 - Mário de Andrade: the formation of a poet |
| Grantee: | Ligia Rivello Baranda Kimori |
| Support Opportunities: | Scholarships in Brazil - Master |