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| Author(s): |
Cintia Campolina de Onofre
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2011-08-31 |
| Examining board members: |
Claudiney Rodrigues Carrasco;
Nuno César Pereira de Abreu;
Fernão Pessoa Ramos;
Irineu Guerrini Junior;
Orlando Marcos Martins Mancini
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| Advisor: | Claudiney Rodrigues Carrasco |
| Abstract | |
This research aimed to carry out a study on the soundtracks composed by the conductor and arranger Gnattali Radames in the period 1933 to 1983. It was intended to answer some questions regarding the appropriateness of behavior and musical compositions present in the film music by Gnattali, under the gaze of several directors of the national cinema. With this study, we found Gnattali proceeded as Radames in composing music for films, understanding the aesthetic of the time and noting how these compositions are in the soundtrack of the film scenario in Brasil, as the composer worked for 50 years in this business and composed 56 music tracks. To this end, we used the methodology of work: theories of cinema and music, with the main aim of capturing important details by analyzing the musical tracks included in the films chosen. (AU) | |
| FAPESP's process: | 09/16366-9 - THE RADAMÉS TRAIL: The study of music composed by Radames Gnattali for brazilian cinema. |
| Grantee: | Cintia Campolina de Onofre |
| Support Opportunities: | Scholarships in Brazil - Doctorate |