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| Author(s): |
Diego Mauro Muniz Ribeiro
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Arquitetura e Urbanismo (FAU/SBI) |
| Defense date: | 2016-08-05 |
| Examining board members: |
Vera Maria Pallamin;
Ricardo Nascimento Fabbrini;
Paola Berenstein Jacques
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| Advisor: | Vera Maria Pallamin |
| Abstract | |
This dissertation proposes to investigate, in the field of architecture and urbanism, the The term \"utopia\" in a period in which it was especially Dissensual: the late 1950s to the early 1970s in the European context. The case of the Situationist International and the Superstudio. We will more closely follow the situationist writings from the Foundation of the movement (1957) until about 1961, when discussions of the Focus on architecture, urbanism and art. In the case of Superstudio, We will prioritize its production from its inception (December 1966) until 1973, Which is when the interest of the group migrates from the theme of utopia to the study of modes of Vernacular and non-urban life. The election of these two groups concerns the Quite different from what each one deals with the question of utopias, at the same time That the common Marxist ballast allows us to draw a series of comparisons, marking Their approximations and divergences. (AU) | |
| FAPESP's process: | 14/08678-9 - Architecture, urbanism and utopia: the notions of man and society in New Babylon (constant Nieuwenhuis) and Continuous Monument (Superstudio) |
| Grantee: | Diego Mauro Muniz Ribeiro |
| Support Opportunities: | Scholarships in Brazil - Master |