Full text
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| Author(s): |
Liene Nunes Saddi
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2016-05-10 |
| Examining board members: |
José Eduardo Ribeiro de Paiva;
Mauricius Martins Farina;
Edson do Prado Pfutzenreuter;
Almir Antonio Rosa;
João Carlos Massarolo
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| Advisor: | José Eduardo Ribeiro de Paiva |
| Abstract | |
The objective of this thesis is to discuss music video itineraries in contemporaneity, its circulation and appropriation in curatorial practices, as well as its exchanges with videoart and contemporary art works. Thereunto, we present conceptual reviews in music video categorizations and also an analysis on exhibition cathalogs that have focused on this kind of objects. Then, a personal curatorial exercise allows the researcher to dive in poetic and expressive processes in order to assay a set of listed works (AU) | |
| FAPESP's process: | 13/02497-0 - From anesthesia to perception: a methodology for analyzing music videos through the approach with contemporary artistic procedures |
| Grantee: | Liene Nunes Saddi |
| Support Opportunities: | Scholarships in Brazil - Doctorate |