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| Author(s): |
Gabriela Machado Freire Tournillon Alcofra
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2014-12-17 |
| Examining board members: |
Julia Ziviani Vitiello;
Veronica Fabrini Machado de Almeida;
Sayonara Sousa Pereira
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| Advisor: | Julia Ziviani Vitiello |
| Abstract | |
This dissertation investigates the expression of the face in contemporary dance, having as initial motivation the observation of a standardization of the expression of the face in a neutralized appearance, without variation or expressive tone, in varied performances presented in Rio de Janeiro in 2010. It is divided into two parts: the first is a historical contextualization observing the relationship between facial expression and expressiveness of the show according to each historical period, ranging from classical ballet to contemporary dance in Brazil, its origins, influences and heritages; in the second strand makes relations between the face like the subject's identity in society and the face expressed in contemporary dance, raising associations between the figurative and the abstract in the dance and the aesthetic experience as activator of stage presence. The research is crossed by laboratories of creation in a theoretical-experimental methodology (AU) | |
| FAPESP's process: | 13/04405-5 - Face in dance: a look at expression and expressiveness in contemporary dance |
| Grantee: | Gabriela Machado Freire Tournillon Alcofra |
| Support Opportunities: | Scholarships in Brazil - Master |