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| Author(s): |
Raissa Araújo do Rosário Silva
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2017-09-29 |
| Examining board members: |
Ciro Juvenal Rodrigues Marcondes Filho;
Luís Mauro Sá Martino;
Vanessa Matos dos Santos
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| Advisor: | Ciro Juvenal Rodrigues Marcondes Filho |
| Abstract | |
This work presents a study about how television series reverberate in the mind of the spectator that assists them, how they interfere - if it does - in their sensorial and perceptive capacity, what subjective resonances are provoked, in short, what production of meaning is realized in the mental process of the viewer, which can lead him/her to redefine opinions, behaviors and postures. To do so, we use as a research procedure the metaphorical proposal, as it is exposed by the New Theory of Communication, presented by the Nucleus of Philosophical Studies of Communication, FiloCom, School of Communications and Arts of USP. The study focuses more specifically on the interfaces that permeate the relation of the identity of what we call the \"I-spectator\", in his/her relation to otherness (of others or other objects), at the moment of experiencing what is called \"Communicational event \"in a television work. The results obtained from this investigation are compared with propositions of the theoretical field, particularly those that perform a reflection about the sensitive as a starting point to observe what cross the perception of the viewer in their relation with the TV series. (AU) | |
| FAPESP's process: | 15/17616-0 - The interfaces of the relationship I-spectador with the serie Orphan Black |
| Grantee: | Raissa Araujo do Rosario Silva |
| Support Opportunities: | Scholarships in Brazil - Master |