The representations of Anna Karenina in the novel and the film: the dialogic construction of subjects in different genres

Author(s)

Tatiele Novais Silva

• Document type: Master's Dissertation
• Press: Araraquara. 2017-06-21.
• Institution: Universidade Estadual Paulista (Unesp). Faculdade de Ciências e Letras. Araraquara
• Defense date: 2017-04-20
• Advisor: Luciane de Paula

Abstract

This research develops the study the issue of ideological values and how these influence the aesthetic construction and style constituents of discourses that manifest themselves through different genres. For this purpose, it is analyzed the novelistic discourse of Anna Karenina (1873-1877), by Leo Tolstoy, as the film Anna Karenina, work of 2012, according to the theory the philosophy of language of the Bakhtin’s Circle. What guides the reflection of this study is the theme of adultery, once they are present in both texts that make up the corpus of the research and these utterances, when treat about this theme, each one with its form and style in its architectonic reflect and refract social relations in the big time in human history. The relevance of this study is justified by trying to provide a reflective study of the dialogical language (placed of interdiscursive/intertextual way), which may contribute to contemporary studies of the discourse and the speech genres, especially when considering the verbvocalvisual characterization, particularly, of the filmic gender. (AU)

• FAPESP's process: 15/10613-5 - The representations of Anna Karenina in the novel and in the cinema: the dialogic construction of subjects in different genres
• Grantee: Tatiele Novais Silva
• Support Opportunities: Scholarships in Brazil - Master