Full text
| |
| Author(s): |
Maria Alice Possani
Total Authors: 1
|
| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2017-11-27 |
| Examining board members: |
Renato Ferracini;
Carminda Mendes André;
Marilia Velardi;
Raquel Scotti Hirson;
Veronica Fabrini Machado de Almeida
|
| Advisor: | Renato Ferracini |
| Abstract | |
This text has as its proposal action-thought about and with artistic practices that explore a plurality of relationships between body and city, where the boundaries between life and artistic experience brush off at each other , and press for processes and techniques that adress the aesthetic-ethical needs of experiences that doubles the languages and it intends to act-create worlds in dialogue with the city and its inhabitants. The text is aligned with the experiences of the collective Opovoempé from São Paulo, with the Actions of Eleonora Fabião from Rio de Janeiro and the works of Matula Teatro Group, based in Campinas and of which the author is one of the founders. It also includes reflections with the classroom: how these experiences problematize the work of the actor and invite to broaden the spectrum of references that guide theater teaching, especially in professional courses. As a strategy, the cartography. As texture, the game. As a desire, the dialogue (AU) | |
| FAPESP's process: | 14/08189-8 - Scenic body and daily body: boundaries, intersections and folds |
| Grantee: | Maria Alice Possani |
| Support Opportunities: | Scholarships in Brazil - Doctorate |