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| Author(s): |
Sérgio Procópio Carmona Mendes
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Filosofia e Ciências Humanas |
| Defense date: | 2016-12-04 |
| Examining board members: |
Rita de Cássia Lahoz Morelli;
Antonio Augusto Arantes Neto;
Luiz Gustavo Freitas Rossi;
Carla Delgado de Souza;
Ricardo Gomes Lima
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| Advisor: | Rita de Cássia Lahoz Morelli |
| Abstract | |
This thesis develops an interpretative analysis on the social process of institutionalization and organization of the Popular Artist's Room, between 1983 and 2013. The Popular artist's room (SAP) is a program of the National Center for Folklore and Popular Culture (CNFCP) Rio de Janeiro, linked to the National Historical and Artistic Heritage Institute (IPHAN). It is an institutional program that, among several actions, organizes an exhibition space focused on documenting, disseminating and commercializing the production of artists and craft communities. The study was based on institutional documents, analysis of catalog texts, interviews with institutional actors and study of the textual production of these actors. In this way, it was possible to map the relations between politics, culture and heritage in order to interpret the organization of this specific art market (AU) | |
| FAPESP's process: | 12/09555-2 - Intangible cultural heritage and popular art market in Brazil: the institutionalization of the Popular Artist Room. |
| Grantee: | Sérgio Procópio Carmona Mendes |
| Support Opportunities: | Scholarships in Brazil - Doctorate |