Full text
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| Author(s): |
Maria Fernanda Costa Miranda
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2016-12-16 |
| Examining board members: |
Jorge Luiz Schroeder;
Ana Cristina Colla;
Renata de Lima Silva
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| Advisor: | Jorge Luiz Schroeder |
| Abstract | |
In the scrublands of Gerais, amid crooked trees, flowery Ipês and airborne dust, there is a female universe of threads created and maintained by the hands of women of various ages. World of many hands. World of threads. Women of threads who, in spinning, weaving, and embroiderers, with their landscapes, webs, circles, needles and looms, their songs, create living entanglements in the form of female narratives and hand movements. In this place of experience, are at work folk wisdom and poetics which can be approached as devices for creating dance. Sensitized, particularly, by the mu-sicality of cerrado popular culture, I went in search of spinners, weavers and embroiderers Valley of Urucuia River, northwest Minas Gerais 's region, to conduct a research and creation in dance by the possibility of dialogic relationship between dance and song from the "field lived" and "danced poe-thnography" (SILVA; LIMA 2014) would result in the scenic work Women's threads.Relationship that instigated, at first, by the hybridity of the arts within the popular culture universe and that "o-ther voice", the dialogic and polyphonic perspective Bakhtin (Bakhtin, 2003), that corner which then appeared as equipotent voice with dance, a dialogue within the artistic statement.From the reports and reflections of a particular crossing research and scenic creation in dance, where I sang, walked, danced, spun, stitched, woven, wrote, lived in the encounter with these women of thirteen communities of Urucuia Valley River scoured, almost all on foot, this dissertation on the scene of the arts brings understanding and weaving of a possible relationship between the dancing and sin-ging in a creative process that establishes the principle of dramaturgical construction the "field lived" under the light of Bakhtin concepts of dialogism and polyphony (AU) | |
| FAPESP's process: | 14/18903-0 - In the scrublands of threads and songs: appropriation of the musical discourse in Brazilian contemporary dance |
| Grantee: | Maria Fernanda Costa Miranda |
| Support Opportunities: | Scholarships in Brazil - Master |