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| Author(s): |
Fabiana Quintana Dias
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2017-08-31 |
| Examining board members: |
Claudiney Rodrigues Carrasco;
Eduardo Simões dos Santos Mendes;
Eduardo Vicente;
Nelson Pinton Filho;
Sandra Cristina Novais Ciocci
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| Advisor: | Claudiney Rodrigues Carrasco |
| Abstract | |
This research has as main objective to rescue the history of radio sound effects and reflect how the market entered the Brazilian film. Show from the emergence of sound cinema, a number of techniques developed sound, many of them existing today, and the importance of the participation of radio sonoplastas in this process, adopting as an example the pioneer Geraldo José. A search was made on the beginning of the sound on the radio , mainly through soap operas and radioteatros , and early sound films Brazilians . The first experiments with sound and creative work of the main sonoplastas and stagehands will be redeemed, plus objects, equipment and techniques used by these professionals to create sounds. It was also performed a historical survey on the process of creation and production of effects in order to describe the changes obtained from the radio to the current use of Foley for the definition of synchronous sound in cinema market: what was important and still is used and which ceased to exist by the evolution of technology in audio editing (AU) | |
| FAPESP's process: | 13/07822-6 - From radio to the screen: a study on the development of sound techniques and the contribution of radio professionals in Brazilian cinema |
| Grantee: | Fabiana Quintana Dias |
| Support Opportunities: | Scholarships in Brazil - Doctorate |