Full text
| |
| Author(s): |
Déborah Caramel Marques
Total Authors: 1
|
| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2018-08-23 |
| Examining board members: |
Vânia Carneiro de Carvalho;
Paulo César Garcez Marins;
Silvana Barbosa Rubino;
Joana Mello de Carvalho e Silva
|
| Advisor: | Vânia Carneiro de Carvalho |
| Abstract | |
This research deals with the discussions about the appropriation of the furniture called modern, from 1930 to 1955, from articles and advertising published in the illustrated magazines A Cigarra and O Cruzeiro, and in the architecture magazines Acrópole and A Casa. Using texts and images published by these journals, we have the purpose of presenting aesthetic and functional questions regarding the use of domestic furniture, including their arrangement in the home space. We analyze the social phenomenon of diffusion of modern furniture, bringing up the diversity of appropriations of modernist precepts and the constitution of related notions such as comfort, domesticity and decorative taste. (AU) | |
| FAPESP's process: | 16/04747-1 - Domestic furniture and the appropriations of modern (Brazil, 1930-1950) |
| Grantee: | Déborah Caramel Marques |
| Support Opportunities: | Scholarships in Brazil - Master |