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| Author(s): |
Andréia Paulina Costa
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2021-04-29 |
| Examining board members: |
Maria de Fatima Morethy Couto;
Ana Paula Cavalcanti Simioni;
Dária Gorete Jaremtchuk;
Luciana Benetti Marques Valio;
Paulo Antonio de Menezes Pereira da Silveira
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| Advisor: | Maria de Fatima Morethy Couto |
| Abstract | |
This work presents the transits and agencies of women artists through the mail art and institutional network in the 1970s and 1980s between the Southern Cone and Eastern Europe. Analyzes the circulation strategies of these artists through calls and exhibitions of this network in relation to gender discourses and, finally, analyzes in these poetics the presence of the line and fragment as critical approaches in relation to themes such as body, space - public/private -, and politics. Keywords: mail art, gender, cultural politics (AU) | |
| FAPESP's process: | 17/07448-8 - Peripheral transits: body, space, and politics in feminist art in the 1970s and 1980s |
| Grantee: | Andréia Paulina Costa |
| Support Opportunities: | Scholarships in Brazil - Doctorate |