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| Author(s): |
Vanessa Lúcia de Assis Rebesco
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2015-01-16 |
| Examining board members: |
Anna Paula Silva Gouveia;
Lucia Eustachio Fonseca Ribeiro;
Giulia Crippa
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| Advisor: | Anna Paula Silva Gouveia; Maria de Fatima Morethy Couto |
| Abstract | |
This research aims to analyze the works of Marina Caram (1925- 2008) and Odilla Mestriner (1928-2009) that were produced in the 60's and 70's and belong to the collections of the Pinacoteca do Estado de São Paulo and the Museu de Arte Moderna de São Paulo. It also aims to examine the musealization processes of these works and establish dialogues between the work of these artists and their contemporaries. In addition, we are interested in investigating the Mestriner and Caram production conditions in the 60's and 70's considering their plastic, technical and poetic specificities. For this, we will adopt a posture that does not agree with the existence of a supposed "female identity", on the contrary, the notion of femininity will be taken as a speech produced historically and socially (AU) | |
| FAPESP's process: | 12/24626-3 - Women artists in Brazil: a study on Marina Caram and Odilla Mestriner in public collections of São Paulo |
| Grantee: | Vanessa Lúcia de Assis Rebesco |
| Support Opportunities: | Scholarships in Brazil - Master |