The exhibition of the private space in the contemporary poetics of women artists o...
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Between re-enchantments, subversions and critics: domestic aesthetics in the production of women artists from south america from 1960 to the current days
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| Author(s): |
Vanessa Lúcia de Assis Rebesco
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2021-04-30 |
| Examining board members: |
Maria de Fatima Morethy Couto;
Giulia Crippa;
Karla Adriana Martins Bessa;
Luana Saturnino Tvardovskas;
Renata Cristina de Oliveira Maia Zago
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| Advisor: | Maria de Fatima Morethy Couto |
| Abstract | |
This research aims to analyze the representation of the domestic space, from the 1960s to the present, in the productions of some female artists from South America, as well as their transformations when the understanding of this space is questioned by the artists, influenced or not because of the criticisms arising from feminist movements. For this, we selected works by Brazilian artists Wanda Pimentel, Cristina Salgado, Rosana Palazyan and Ana Elisa Egreja, by Colombian Karen Lamassone, Beatriz Gonzalez, Doris Salcedo and Liliana Ângulo Cortés, by Argentine Estela Pereda and Peruvian María María Acha-Kutscher (AU) | |
| FAPESP's process: | 16/25706-1 - The exhibition of the private space in the contemporary poetics of women artists of South America |
| Grantee: | Vanessa Lúcia de Assis Rebesco |
| Support Opportunities: | Scholarships in Brazil - Doctorate |