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| Author(s): |
Fábio Luiz Oliveira Gatti
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2013-08-30 |
| Examining board members: |
Fernando Cury de Tacca;
Lygia Arcuri Eluf;
Luise Weiss;
Rosa Gabriella de Castro Gonçalves;
Ronaldo Entler
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| Advisor: | Fernando Cury de Tacca |
| Abstract | |
Having as its main focus the Formativity Theory elaborated by Luigi Pareyson, this research is supported in poetics making. Held at the research of creative processes, it comprises four chapters whose speech focuses on the relationships between the production process of the work and the development of rehearsal academic texts. The work creates improbable narratives over the image and its method of production for each photographic series presented in the chapters by merging theory and practice. This thesis should be understood as a work in its entirety, because each reflection point obeyed to the singularity of the photographic series performed and, likewise, each photo series was bolstered by the weights carried out by all the theorists that compose the argumentations here. The text and image are merged to enhance the imaginative character which is proper to artistic creation (AU) | |
| FAPESP's process: | 10/06105-0 - Photography in four acts: Improbable narratives about the image and its making |
| Grantee: | Fábio Luiz Oliveira Gatti |
| Support Opportunities: | Scholarships in Brazil - Doctorate |