The representation of Aphrodite in late-archaic Greek melic: the songs of Simonide...
The "4th Pythin Ode" of Pindar and the tradition of the epinician songs: introduct...
The expansion of urban and Syracuse in the sixth and fifth century BC
![]() | |
Author(s): |
Ricardo Tieri de Brito
Total Authors: 1
|
Document type: | Master's Dissertation |
Press: | São Paulo. |
Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
Defense date: | 2024-08-13 |
Examining board members: |
Christian Werner;
Carlos Leonardo Bonturim Antunes;
Gustavo Henrique Montes Frade
|
Advisor: | Christian Werner |
Abstract | |
This thesis investigates the representation of the tyrant of Syracuse Hiero in Pindar\'s Pythian 2. As a piece of a larger strategy to build a public image and to legitimize the Deinomenid tyranny in Syracuse in the 5th century AD, the epinicion stood out as a vehicle able to forge or reinforce local identities intertwined with the tyrant\'s figure and to project the dynasty notoriety onto the Panhellenic scene. By using written, epigraphical and historiographical sources, which report the hegemony of the Deinomenids in Syracuse, as well as archeological and historical studies, we aim to contextualize the role of the epinicion, particularly Pythian 2, in the representation of Hiero as ruler by right, without prescinding a close analysis of the poem and how the economy of the ode, permeated by conventional and occasional elements and by the mobilization of topoi from other archaic poetic genres, builds a praise to landandus that places him as the legitimate monarch of Syracuse, during a time marked by war, political and social conflicts, population reconfiguration and consolidation of the polis as an increasingly important political force in eastern Sicily (AU) | |
FAPESP's process: | 22/11066-1 - Hieron of Siracuse in Pindar's Second Pythian Ode |
Grantee: | Ricardo Tieri de Brito |
Support Opportunities: | Scholarships in Brazil - Master |