Full text
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| Author(s): |
Carolina Martins Delduque
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2012-08-22 |
| Examining board members: |
Veronica Fabrini Machado de Almeida;
Eduardo Okamoto;
Marcia Maria Strazzacappa Hernandez
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| Advisor: | Veronica Fabrini Machado de Almeida |
| Abstract | |
This research falls within the field of investigations on the actor's work and has as its theme the actor's creative work, from the assumptions of the Stanislavski's System. The work was opened on two fronts: the theoretical field and practical scenic, which ran in parallel, stimulating each other. In one of them an acknowledgment was made of the subject, about the work of researchers, actors and / or directors who worked with the Russian master or had their roots in this system. In this respect, on one side the research sought to provide historical data, with references about Michael Chekhov (1891-1955) and Eugene Kusnet (1898-1975), through whom a route was traced geographically and chronologically, between Brazil and Russia and between the XX and XXI centuries. On the other hand, trying to trace and to reflect on key aspects of their teaching in the Russian current theatre (birthplace of this tradition), we present the reader with analysis of three conferences with Russian's men of theater from this tradition - Anatoli Vasiliev, Tatiana Stepatchenko and Mikhail Chumachenko. In the area of the practice, we used the Chekhov's play, The Three Sisters as a starting point and reference for creating the actor. In a process of experimentation, from the dramatic text of a contemporary playwright to Stanislavski and his "partner", we seek, in the creation of theatrical scenes, test procedures for the actor's work derived from the system to understand them with his own body, not only with the intellect, and thus to resize the discussions, questions and theoretical analysis (AU) | |
| FAPESP's process: | 09/12581-2 - Physical action and the contemporary scene |
| Grantee: | Carolina Martins Delduque |
| Support Opportunities: | Scholarships in Brazil - Master |