| Author(s): |
Alessandra Souza Melett Brum
Total Authors: 1
|
| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. , ilustrações. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2009-08-13 |
| Examining board members: |
Antônio Fernando da Conceição Passos;
Fernão Pessoa Ramos;
Francisco Elinaldo Teixeira;
Luciana Sa Leitão Correa de Araujo;
Mauricio Oliveira Santos
|
| Advisor: | Antônio Fernando da Conceição Passos |
| Field of knowledge: | Linguistics, Literature and Arts - Arts |
| Indexed in: | Base Acervus-UNICAMP; Biblioteca Digital da UNICAMP |
| Location: | Universidade Estadual de Campinas. Biblioteca Central Cesar Lattes; T/UNICAMP; B834h; Universidade Estadual de Campinas. Biblioteca do Instituto de Artes; T/UNICAMP; B834h |
| Abstract | |
The first Alain Resnais feature film, Hiroshima Mon Amour was issued in commercial circuit in Brazil in 1960, the year following their debut in France. The film has caused great impact on the specialized criticism motivating many articles in newspapers and magazines. This research embrace the abundant material produced by the Brazilian critic, which was motivated by aesthetic innovations introduced by French filmmaker. The criticizing reception to Hiroshima Mon Amour will reflect the changes that went through the cinema at the time, gaining importance in debates around the making and cinematographic thought. (AU) | |