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The intelligence of authenticity in popular music samba and choro
Full text
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| Author(s): |
Dmitri Cerboncini Fernandes
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2010-08-09 |
| Examining board members: |
Sergio Miceli Pessoa de Barros;
Edson Silva de Farias;
Santuza Cambraia Naves;
Fernando Antonio Pinheiro Filho;
Marcelo Siqueira Ridenti
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| Advisor: | Sergio Miceli Pessoa de Barros |
| Abstract | |
Starting from the intellectual, symbolic and material disputes that intertwine both muscial genres heralded as the Nations identifiers: samba and choro, I analyse the constitution and reproduction of an artistic microcosm possessor of relatively autonomous aesthetic parameters. Covering a long historical period with the intent of showing that the densification of institutions aimed at the sheltering of popular music ensues a counterpart, one of stemming the engaged parties whose efforts aim at dissociating the popular musical productions between the ones they regard as authentic from the inauthentic, a grouping which I denominate popular music intelligentsia. This implied establishing under which conditions, when and through the action of which actors such microcosm was yielded, a space that managed to direct the appreciations and investements of everyone inserted in the urban popular music activity. (AU) | |