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| Author(s): |
Raissa Pereira Cintra de Oliveira
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Arquitetura e Urbanismo (FAU/SBI) |
| Defense date: | 2008-04-25 |
| Examining board members: |
Fernanda Fernandes da Silva;
Beatriz Mugayar Kuhl;
Silvana Barbosa Rubino
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| Advisor: | Fernanda Fernandes da Silva |
| Abstract | |
This is a research involving the architect Lina Bo Bardi\'s professional works, discussing and analyzing how she solves the relationship between old and new in the urban\' interventions at public spaces of putative collective memory. Firstly It carry out a research about the origins and evolution of some paradigmatic moments in discussion about the possibilities of meeting between the establishment and innovation. Furthermore, It correlates to the critical\' views of the idea of rupture with the past promoted by vanguard modern movement. It studies the pondering between old and new that have came out after second war period in the Europe, where the vast destruction of the cities gave the background for their reconstruction and It started important discussions about how to evolve these interventions in the context of architecture, urbanism, and restore projects issues. In the second moment, It analyzes two urban interventions projects of Lina: The propose for Vale do Anhangabau\'s Contest at São Paulo city and the other one for the Salvador\'s History Center, that have been done in the 1980. This period is featured by the political open in Brazil that able the discussion about the public space and the collective memory. (AU) | |