Expanded photography in museums of modern and contemporary art
Creation of the center for experimental practices in choreography
In the fold of the image: dialogs between photography and painting
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Author(s): |
Juliano Gouveia dos Santos
Total Authors: 1
|
Document type: | Master's Dissertation |
Press: | São Paulo. |
Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
Defense date: | 2011-04-26 |
Examining board members: |
Joao Luiz Musa;
Luiz Armando Bagolin;
Evandro Carlos Frasca Poyares Jardim
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Advisor: | Joao Luiz Musa |
Abstract | |
Originally titled as Errance and Idiorhythm Photographs, the research looked to apply a methodology mainly based (but not only) in the dialogue with the works LEspace Littéraire, by the essayist Maurice Blanchot in which the author discusses the errance as the axis of a practice that knows your destination and that do not abdicate of its driving and irreducible force (though sometimes unknown) as well as the Roland Barthes seminar Comment Vivre Ensemble, in which the term idiorhythm is introduced to discuss the individuation of the language. This work tried to approach these theoretical considerations to develop an essayistical and practical method of producing. (AU) | |
FAPESP's process: | 09/02824-5 - Errance and idiorhythm - photographs |
Grantee: | Juliano Gouveia dos Santos |
Support Opportunities: | Scholarships in Brazil - Master |