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| Author(s): |
Denise Scandarolli Inacio
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Filosofia e Ciências Humanas |
| Defense date: | 2013-05-27 |
| Examining board members: |
Edgar Salvadori De Decca;
Jean Claude Yon;
Jurandir Malerba;
Paulo Mugayar Kuhl
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| Advisor: | Edgar Salvadori De Decca; Raphaelle Legrand |
| Abstract | |
In the 1840s, the French theater companies Compagnie Française Dramatique, and Compagnie Française Lyrique arrived in Rio de Janeiro. They settled in the Brazilian court with a specific repertoire composed mostly by vaudeville and opéra-comiques, and even though little was known about the story of these two group, their actions impacted theatrical practices of the court. This thesis addresses the story of these French companies. They were fundamental in the development of multiple axes, and remarkably connected with regiments of spectacle rooms, artistic criticism, and censorship, to structure a national theater and confronted with the meanings of "civilized" and French values. One can therefore understand the cultural dialogues established with French art by the mechanisms of action of these artists in Rio de Janeiro, and the relationships established among the different entities related to the Art (AU) | |