Full text
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| Author(s): |
Sandra Urizzi Lessa
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2012-08-31 |
| Examining board members: |
Cassiano Sydow Quilici;
Renato Ferracini;
Marianna Francisca Martins Monteiro
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| Advisor: | Cassiano Sydow Quilici |
| Abstract | |
This research aims to analyze the production experience through the narrative, passing the subjects of fiction and reality, ways of acting of the actor-narrator, and some of the ways to deal with the issue within the realm of contemporary art. Suggesting that the narrator can also be heard that, I describe some practical experiments to put me where I could hear the action, experiencing it as an artistic intervention. Finally, think about the possibility of a reinvention of a narrator who is sensitive to the contemporary issues, while a critical perspective of their time. Within this proposed experiment to study the possibility of an actor-mediator. The leading thinkers of this research are that anchor Walter Benjamin, Jeanne-Marie Gagnebin and Luis Alberto de Abreu. As artistic references, support me in creations of the Interdisciplinary Research LUME Theatre, and the german art collective Rimini Protokoll (AU) | |
| FAPESP's process: | 10/13233-5 - The study of the life s story on the actor work: the way betwen the tradicional and the contemporary. |
| Grantee: | Sandra Urizzi Lessa |
| Support Opportunities: | Scholarships in Brazil - Master |