Patrícia Moran Fernandes

• Abstract

  As our research is theoretical and historical the bibliography reach two main issues. The first is related to survey and analyses of audiovisual performances that takes the materiality of medium as a start point. We've been observing works have been developed with scarce and powerful material resources. They are few in quantitative terms, but they are over exposed and repeated a lot, taki…

  Audiovisual Performance: materiality as image and representation, AP.R

• Abstract

  This past January we were in Berlin attending the Transmedialle and CTM, a scientific and artistic meeting, when we met Chris Salter, an artist and scholar who is also the chair of New Media, Technology and the Senses at Concordia University in Montreal, Canada. Salter is also the co-director of the Hexagram, a network focused on research in media-art, design, technology and digital cultu…

  Performing sensation: sensory anthropology, performance and immersion beyond the eye, AV.EXT

• Abstract

  The project focus on the relationship between ephemeral and document, from the point of view of the artist and as part of the creative process. This relationship develops in a continuum from her doctorate thesis titled: "The materiality of the ephemeral: identity of live audiovisual performance and possibilities for its documentation and memory construction". Ana Carvalho is responsible f…

  Ephemeral art and it possibilities of documentation, AV.EXT

(Only some records are available in English at this moment)

• Abstract

  This work proposes to study audiovisual performances of Brazilian artists in order to analyses the use of the pixel as a present element in the construction of sense or expressivity, and not only as a constituent part of the digital image. We will also investigate the existence of formal and dramatic implications of the cut performed live, in other words, simultaneously to the reproductio…

  The pixel as expressive element in the composition and the live cut, BP.IC

• Abstract

  This research proposes a study on how technology makes significant impacts in the poetics of Live Cinema works. Live Cinema could be defined as performative audiovisual art, in which the creator would handle images and sounds in real time for an audience, in a non-standardized environment. To conduct the survey, we expect the analysis of Live Cinema works, aiming to produce mapping and de…

  Poetics of digital double in performative audiovisuality: presence and the expansion of the technical device, BP.DR