CV Lattes
Google Scholar Citations
Universidade de São Paulo (USP). Instituto de Psicologia (IP) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Psychoanalyst and Professor. Graduation (1970), Masters (1979), Doctorate (1987) and Livre-docência (2000) at the Institute of Psychology of the University of São Paulo. Post-doctorate in Aesthetics at École des Hautes Études en Sciences Sociales, Paris (1997-2000). Professor of the Institute of Psychology of USP (since 1971) . Professor and acting advisor of the Postgraduate Program in Aesthetics and Art History of USP (since 2006). Effective member and senior analyst of the Brazilian Society of Psychoanalysis of São Paulo (SBPSP), and of the International Psychoanalytical Association (IPA - London). Member of the Brazilian Federation of Psychoanalysis (FEBRAPSI) and of the Latin American Federation of Psychoanalysis (FEPAL). Member of the Brazilian Association of Art Critics (ABCA) and of the Association Internationale des Critiques d'Art (AICA). Member of the Euro-Latin American Psychosomatics School (Moscow / Russia). He has experience of research in the interdisciplinary field Art-Aesthetics-Psychoanalysis, with emphasis in Foundations and Critic of the Arts. He is the author of books and articles on subjects related mainly to the following themes: Body, Art and Pain; Aesthetics and Psychoanalysis in the Clinical context;; Phenomenology of the work of art, Psychoanalysis and Aesthetics of Reception. (Source: Lattes Curriculum)
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Being considered the principles of art criticism delegated by the past and their present transformations in the field of the culture and of the art, the research that we propose seeks to discuss the current situation of the criticism of contemporary art, that is, the manifestation, places and the critical accomplishment manners, before the threat of function loss and of legitimacy of the …
By analysis of Fabio Herrmann's unpublished work Notes on China: A Psychoanalytic Voyage to the East (Anotando a China: Viagem Psicanalítica ao Oriente), the idea is to consider the visual poetic of the psychoanalytic writer, photographer and artist. To such an end, the concept of Vorstellung will serve as interpret, but considered as meta-representation. This work tosses the reader, auto…
Considering the main theoretical concerns about the relationship between art and madness , we defined the broader objective of this project and the field of research - to examine relationships between music and madness from the field of aesthetic reception as subarea of the Social Psychology of Art . Based on the critical perspective of Michel Foucault , we considerer madness as a comp…
The most general objective of this research is to contribute to the analysis of the relations between Greek tragedian and psychoanalysis, considering as object of study a common term to both fields. More specifically, we intend to examine the correspondences between the Greek term daímon in the "Theban trilogy" by Sophocles (Oedipus the King, Oedipus at Colonus, Antigone), taking into acc…
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"What is the force of letters, or cinema, (...)? Will introspection always be in the realm of the illusive, the unachievable?" The query posed by Pedro Meira Monteiro (2015, electronic edition) summarizes the vexation many Brazilian artists, intellectuals, and researchers must be experiencing at the present moment-a series of controversial government initiatives has forced our country to…
Notes on China (A Psychoanalytic Voyage to the East) is an unpublished work by Brazilian psychoanalyst Fabio Herrmann, composed of words (dense, poetic texts) and images (photographs, more or less digitally modified, as well as graphically developed designs). The work cannot be reduced to ones or the others: it is the dialogue that occurs between them. As a receptor of this work, my objec…
| 14 / 2 | Completed research grants |
| 12 / 6 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
| 28 / 10 | All research grants and scholarships |
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