CV Lattes
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ORCID
Universidade Estadual de Campinas (UNICAMP). Instituto de Artes (IA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Música from Universidade Estadual de Campinas (1986), graduate at Educação Artística from Pontifícia Universidade Católica de Campinas (1981), master's at Arts from Universidade de São Paulo (1990) and ph.d. at Sociology from Universidade Estadual de Campinas (1998). Has experience in Arts, focusing on Music, acting on the following subjects: carlos gomes, orquestra sinfônica municipal de campinas, notas de programa, musica brasileira and ópera. (Source: Lattes Curriculum)
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The Night of the Castle by Antonio Carlos Gomes: a performance-oriented musicological transcription. The project aims to provide the restoration and musicological transcription of the score of the first opera of Carlos Gomes, "The Night of the Castle", from 1861. Despite the undeniable musical and historical importance of this score, a more consistent work of editing has not yet been done…
Choro is an instrumental genre of Brazilian popular music that emerged in Rio de Janeiro in the last decades of the 19th century. Historically this music has been practiced in the format of rodas, that is, groups of amateur and professional musicians who join in bars for the pleasure of playing together. Currently, these rodas are found in several states and countries, and in the interior…
Rinascimento strumentale is the Italian period situated in the second half of the nineteenth century and responsible for the resumption of the ideals that favored the instrumental writing. Coincided with an effervescent discussion - through correspondence, treaties and other documents - and intense search for changes in the orchestral platform of the italian ottocento. The period also mar…
The project intends to investigate two rodas de choro that are held periodically in the city of São Carlos. I act in these spaces as a flute player, and I see commonalities between them, though theywere held in completely different contexts and situations. To better understand these features I use ethnomusicology in order to investigate the rodas de choro in their cultural context, seekin…
(Only some records are available in English at this moment)
Sessions are informal gatherings of professional and/or amateur musicians toplay traditional Irish songs. Many of the peculiarities present in this song are similar to thecharacteristics of the rodas de choro of the interior of the state of São Paulo, Brazil.Drawing on Thomas Turino's theory, it is noted that both, the sessions and the rodas, mixparticipatory structures with presentat…
| 11 / 1 | Completed research grants |
| 8 / 6 | Completed scholarships in Brazil |
| 1 / 1 | Completed scholarships abroad |
| 20 / 8 | All research grants and scholarships |
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