Yanet Aguilera Viruez Franklin de Matos

• VII Cocaal: The public in the cinema and in the art of Latin America, AO.R
• II COCAAL - Colloquium of Latin American's Cinema and Art: Memory and Resistance, AO.R

• Abstract

  This research intends to investigate the authors (a): Olgária Matos, Ismail Xavier, Cynthia Sarti, Rubens Machado, Graziela Foglia, Pedro Arantes, Bruno K. Comparato, Leticia Squeff among other Brazilian scholars, have contributed to reflect on the topic of exile in the context of Philosophy, Literature, Visual Arts and Film Studies. If the philosophical thinking regarding the exile is se…

  Image and exile: cinema and art in Latin America, PUB.LVR.BR

• Abstract

  This project aims to analyze and reflect on the female representation found in the animated series She-Ra and the Princesses of Power (2018-2020). Through the theoretical basis of feminist authors such as Naomi Wolf, Simone Beauvoir and Silvia Federici, we will approach the figure of the woman presented by the archetype of the princess that is inserted in the children's imagination. This …

  Representativeness in She-Ra and the Princesses of Power: The question of the construction of the feminine through the monarchical imaginary of the princess, BP.IC

• Abstract

  This research project aims to understand how cinema visualized the body marking - or tattooing -, which has been a social and artistic phenomenon inherent in human societies since time immemorial. The films Papillon, Once Were Warriors, Memento, Eastern Promises and Tatuagem will be analyzed, associated with texts by sociologists, art historians and philosophers such as Vitor Sérgio Ferre…

  Art and body: body marking from a cinematographic perspective, BP.IC

• Abstract

  This undergraduate research project has as its main object the animated feature film Pinocchio, released in 1940 and produced by Walt Disney Pictures, directed by Hamilton Luske and Ben Sharpsteen. The film was chosen for a first analysis of the animated film particularly developed by the famous studio headed by Walt Disney (1901-1966). Produced in a period of exciting creative fertility …

  Technique and aesthetic: the illusion of life in Pinocchio, from Walt Disney pictures, BP.IC

(Only some records are available in English at this moment)