Abstract
This research starts from the theoretical perspective about Diacritics Signals (CARNEIRO DA CUNHA, 1986) and Diacritics Signs (BARTH, 1998), called folklore, and the reframed for the migrants, being Invented Traditions (HOBSBAWN, [1984] 1997) that give then cohesion and coexistence in new contexts. In this direction, looking for the symbol production and the dance's reelaboration between …