Arnaldo Franco Junior

• Abstract

  The present research project aims to investigate the presence of language cinematographic in the Brazilian novel from the modernist avant-garde to the contemporary, choosing, for this, works that, in theory, could function as symptomatic of these relations: Amar, verbo intransitivo (1927), Caminhos Cruzados (1935), Perto do Coração Selvagem (1944), Em Câmera Lenta (1977), Bandoleiros (198…

  The presence of the cinema in the Brazilian novel: from modernist vanguard to contemporaneity, BP.DR

• Abstract

  This research project proposes an extensive study of part of the oeuvre of representative authors of the boom of the Brazilian short story from the 1950's to the 1970's, such as Clarice Lispector, Dalton Trevisan, Lygia Fagundes Telles, Murilo Rubião, and Breno Accioly. The objective of this study is to investigate the transformation of the short stories under analysis in the rewriting pr…

  From periodical press into books: the boom of the Brazilian short story from the 1950's to the 1970's, BP.DR

• Abstract

  This research project has as object of study the novel "O céu e o fundo do mar", by Fernando Bonassi, published in 1999, and the novel "Miguel e os demônios", by Lourenço Mutarelli, published in 2009. In them, we aim to identify and investigate how is established, in each literary text, the dialogue with the cinema and with the genre screenplay, through the incorporati…

  The crossing of boundaries between literature, cinema and screenplay in o céu e o fundo do mar, by Fernando Bonassi, and Miguel e os Demônios, by Lourenço Mutarelli, BP.MS

(Only some records are available in English at this moment)