The film experience in Anthropology

• Grant number: 09/52880-9
• Support Opportunities: Research Projects - Thematic Grants
• Start date: July 01, 2010
• End date: June 30, 2015
• Field of knowledge: Humanities - Anthropology
• Principal Investigator: Sylvia Caiuby Novaes
• Grantee: Sylvia Caiuby Novaes
• Host Institution: Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH). Universidade de São Paulo (USP). São Paulo , SP, Brazil
• Associated research grant(s): 13/50313-5 - Images of resource extraction:new territorial logics in the Amazonian and Andean regions, AP.R; 13/50222-0 - Images and sound making: a comparative and collaborative approach to visual anthropology, AP.R; 12/03012-7 - 54 International Congress of Americanists, AR.EXT; 11/50821-5 - Aristoteles Barcelos Neto | university of east Anglia - Inglaterra, AV.EXT
• Associated scholarship(s): 14/21299-7 - The absurd in daily life: strolling in São Paulo, BP.IC; 13/09757-7 - Ethnofiction, childhood and resistance in the Kurdish-Iranian cinema of Bahman Ghobadi, BP.DR; 12/09257-1 - Memories of a "Black Comunity: a study on the life history of musical agents, BP.PD; + associated scholarships 12/11680-0 - Place, body and memory: art and politics in the achievements of the theatre of group of São Paulo, BP.PD; 11/02654-2 - Nature and market: an anthropological study of the relations between corporations and traditional people, BP.DR; 11/03554-1 - The ways of Kieslowski: invention and experience on Three Colors, BP.MS; 10/19789-5 - The performance of the shaman and the audiovisual: the production of images among the Xingu Asuriní, BP.DR - associated scholarships

Abstract

This project has two main goals. One of them focuses the relationships among Antropology, Photography and Cinema. This is a relationship that began when the photographic camera, the cinematographer and Anthropology as a discipline were invented. If the first encounters between Anthropology and these new techniques for reproduction of images stressed the discovery of the many possibilities of contact contagion, a hundred years later the tensions are as many as the effective approximations among these areas. One of the purposes of this project is to analyze experience of mutual appropriation among them through an anthropological perspective and also to try the possibilities of this encounter through the achievement of ethnographic films and photographic essays. The second goal is more related to what is conventionally called the anthropology of art. The purpose in this line of research is to analyze the audiovisual achievement in scope of the production of anthropological knowledge as an expression of the dialogue between the classic anthropological theory and the many other fields of Antropology as the anthropology of art, ethno aesthetics and related fields as visual and theatrical arts. (AU)

Scientific publications

(References retrieved automatically from Web of Science and SciELO through information on FAPESP grants and their corresponding numbers as mentioned in the publications by the authors)

EDGAR TEODORO DA CUNHA; SYLVIA CAIUBY NOVAES. Paisagens da memória: as primeiras imagens visuais dos Bororo do Brasil Central. Vibrant, v. 16, 2019-05-09. (09/52880-9)