Advanced search
Start date
Betweenand
Related content

ESPACE AND INTERACTIVITY IN ELECTROACOUSTIC MUSIC AND SOUND ART WITH GRANULAR SYNTHESIS

Grant number: 11/03104-6
Support type:Scholarships in Brazil - Master
Effective date (Start): March 01, 2012
Effective date (End): August 31, 2013
Field of knowledge:Linguistics, Literature and Arts - Arts - Music
Principal Investigator:Adolfo Maia Júnior
Grantee:Gabriel Rimoldi de Lima
Home Institution: Núcleo Interdisciplinar de Comunicação Sonora (NICS). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil

Abstract

This project aims to study the forms of appropriation of space as an interactive sound communication in recent musical production. The space, at least implicitly present in all Western music history, has gained effective notoriety in the sound communication since the electroacoustic music advent. In its first part, the project presents a historical and comparative study of the use of spatialization through the recognition of levels and types of interactivity and space in the contexts of electroacoustic music and sound art. In the second part, we propose a music spatialization in the context of granular synthesis, by developing a computational model of spatialization of granular sounds flows based on a definition of similarity of grain, taking into account their informational content.

Academic Publications
(References retrieved automatically from State of São Paulo Research Institutions)
LIMA, Gabriel Rimoldi de. Interactive modeling for sound synthesis and spatialization in microtemporal domain. 2013. Master's Dissertation - Universidade Estadual de Campinas (UNICAMP). Instituto de Artes.

Please report errors in scientific publications list by writing to: cdi@fapesp.br.