Theatricalism in frequency and intensity: analysis of the vocal matrix of the show Obragem, of the Group Obragem of Theater and Co

• Grant number: 12/12836-3
• Support Opportunities: Scholarships in Brazil - Master
• Start date: January 01, 2013
• End date: June 30, 2014
• Field of knowledge: Linguistics, Literature and Arts - Arts - Theatre
• Principal Investigator: Suely Master
• Grantee: Helder Carlos de Miranda
• Host Institution: Instituto de Artes (IA). Universidade Estadual Paulista (UNESP). Campus de São Paulo. São Paulo , SP, Brazil

Abstract

The project presented here aims to investigate the poetic voice of the show Passos (2008), produced by the Obragem Teatro e Cia Group. For this, we analyzed the vocal matrices produced from the relationship between body and voice in hyperbolic forms and states, that deform daily habit and produce theatrical effects. The survey data are from the filming of the show, which features 60 minutes. To assist in the identification of voice features and sounds, will be used computerized acoustic analysis and the spectra of sound. (AU)

Academic Publications

(References retrieved automatically from State of São Paulo Research Institutions)

MIRANDA, Helder Carlos de. Teatralidade em frequência e intensidade: análise da matriz vocal do espetáculo Passos, do grupo Obragem de Teatro e Cia. 2014. Master's Dissertation - Universidade Estadual Paulista (Unesp). Instituto de Artes. São Paulo São Paulo.