Front(iers) dramaturgy between real and imaginary

• Grant number: 12/20943-4
• Support Opportunities: Scholarships in Brazil - Doctorate
• Effective date (Start): May 01, 2013
• Effective date (End): July 31, 2016
• Field of knowledge: Linguistics, Literature and Arts - Arts - Theatre
• Principal Investigator: Verônica Fabrini Machado de Almeida
• Grantee: Erika Carolina Cunha Rizza de Oliveira
• Host Institution: Instituto de Artes (IA). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil

Abstract

Looking up to this study, a critical reflection on creative processes transiting the border between the real and the imaginary, using true facts mixed with fiction, blurring the boundaries between the living and the invented, seeking a scenic drama that oscillates between historical fact and mythical experience. As methodological procedure will be used comparative study of four different approaches shows that reflect the tension fact-real/ficcion: Agora e na Hora de nossa Hora (Eduardo Okamoto, Veronica Fabrini direction, which had its starting point in the creation of Slaughter Candelaria, which occurred on July 23, 1993 in the city of Rio de Janeiro and the tale of Juan Rulfo, Macarius - 1946), Cartas para o Paraíso (Boa Companhia, directed by Veronica Fabrini, created from the letters and records of the Jesuits browsers that came from Portugal to Brazil, during the process called "discovery" and the early years of colonization of Brazil, from 1500 to 1557), Gran Circo Maximo (Grupo Matula Teatro, André Career direction, created from interviews with artists and vivencias circus - 2008) and Exílius (Grupo Matula Teatro, Alice Possani direction, created from the history of the Saharawi people in exile for 37 years in the Algerian desert). (AU)