Between Shakespeare's quill and the contemporary theater - tensions of the new place of classical dramaturgy

• Grant number: 13/26299-2
• Support type: Scholarships in Brazil - Master
• Effective date (Start): March 01, 2014
• Effective date (End): January 31, 2016
• Field of knowledge: Linguistics, Literature and Arts - Arts - Theatre
• Principal researcher: Isa Etel Kopelman
• Grantee: Paula Mathenhauer Guerreiro
• Home Institution: Instituto de Artes (IA). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil
• Associated scholarship(s): 14/23278-7 - Macbeth by Chapitô: a picture of the new place of the classical dramaturgy in contemporary scene, BE.EP.MS

Abstract

This project focuses on the questioning about the detachment of the dramatic text in relation to the contemporary scene, starting from the analysis of three postdramatic performances of Shakespeare plays: 'Romeu e Julieta' (1992, dir. Gabriel Villela), with the group 'Galpão'; 'Ensaio.Hamlet' (2004 , dir. Enrique Diaz) , with 'Companhia dos Atores' and 'Macbeth' (2013 , dir. John Mowat) , with the Portuguese company 'Chapitô'. The contemplation and analysis of such works are made in light of the clash between the perspective of Hans-Thies Lehmann - which stands, in his 'Theory of postdramatic theatre', the total disconnect between the drama and the scene - and Jean-Pierre Sarrazac , to whom, on the contrary, this relationship is not extinct, but in constant reinvention .From the analysis of the three performances, interviews with the artists involved and a plot of critical reception of these works, the relationship between the observed phenomena will be subjected to generalizations. Crossed with the main theoretical studies of the area, they will point hypotheses about new place of classical dramaturgy in contemporary theater.

Academic Publications

(References retrieved automatically from State of São Paulo Research Institutions)

GUERREIRO, Paula Mathenhauer. Between Shakespeare's quill and the contemporary theater : ways of the new place of classical dramaturgy. 2016. 111 f. Master's Dissertation - Universidade Estadual de Campinas (UNICAMP). Instituto de Artes.