The visible and invisible in the expression of body-on-the-art
Pedagogical Analyses: Multifaceted Body and Corporeal Mimesis
The memory, the perception, micro-perception in the criative process of the actor
Grant number: | 24/00501-4 |
Support Opportunities: | Scholarships in Brazil - Scientific Journalism |
Start date: | June 01, 2024 |
End date: | December 31, 2024 |
Field of knowledge: | Linguistics, Literature and Arts - Arts - Theatre |
Principal Investigator: | Renato Ferracini |
Grantee: | Luisa Vincoletto |
Host Institution: | Núcleo Interdisciplinar de Pesquisas Teatrais (LUME). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil |
Associated research grant: | 22/05024-4 - Pedagogies, processes and files of presence, AP.TEM |
Abstract Since its beginnings, Lume has created practical pedagogical processes of short and medium duration to enhance body and voice with the aim of disseminating and democratizing its practical and poetic research. Despite this action being one of the pillars of its research, Lume, in its 37 years of existence, has never vertically systematized or carried out an analysis of its pedagogical processes. In this way, starting from its own methodology that has cartography and presence as a relational power between bodies as its foundations, this project seeks to link three processes that depart from the practical experiences of Lume's pedagogical processes. First, carry out a critical textual analysis, carried out by researchers with well-known national and international knowledge in the field of face-to-face arts, and produce an audiovisual documentation of the didactic-pedagogical process of nine courses created by Lume, focusing on their historical, ethical, technical and poetic aspects. Secondly, taking as a premise Lume's practical methodology in the field of training and the collective and singular poetic materials generated in the pedagogical processes of five of these courses, it is intended to create a scenic action investigating the poetic link between the training do Lume and its pedagogical proposal, having as its initial theme the theme "the invisibilities of death". Finally, from the expressive, poetic and technical material (actions, matrices, corporeal-vocal states) to carry out the capture and archiving in MoCap (Motion Capture) - possible to be carried out due to an exchange between the nucleus and the University of Ghent - Belgium - of the technical and energetic corporeal-vocal matrices that form the poetic basis of Lume's methodology in relation to its pedagogical processes and the work proposed in this project. | |
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