Differences in treatment of voice-music between Demetrio Stratos and Giacinto Scel...
Kairos and the Ethics in the Interactivity of Contemporary Improvisation.
Advanced search
A new rhetoric for contemporary music
Full text
| |
| Author(s): |
William Teixeira da Silva
Total Authors: 1
|
| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2014-11-12 |
| Examining board members: |
Silvio Ferraz de Mello Filho;
Denise Hortencia Lopes Garcia;
Lineide do Lago Salvador Mosca
|
| Advisor: | Silvio Ferraz de Mello Filho |
| Abstract | |
This thesis discusses about the relationship between contemporary music and rhetoric, essential device for understanding ancient music, but that has been underrated in the analysis of more recent objects. To update the rhetoric to the current thought this study it is referenced by the Treatise on Argumentation, written by Chaim Perelman and Lucie Olbrechts-Tyteca, since it has rehabilitated studies of rhetoric in the twentieth century. From this framework it is explored the dimensions in which rhetoric integrates the current musical discourse, specifically trough the analysis of pieces written by Luciano Berio and Giacinto Scelsi (AU) | |
| FAPESP's process: | 13/02765-4 - A new rhetoric for contemporary music |
| Grantee: | William Teixeira da Silva |
| Support Opportunities: | Scholarships in Brazil - Master |