Full text
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| Author(s): |
Danilo Nazareno Azevedo Baraúna
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2016-10-21 |
| Examining board members: |
Almir Antonio Rosa;
Patrícia Moran Fernandes;
Rosangela da Silva Leote
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| Advisor: | Almir Antonio Rosa |
| Abstract | |
In this work we aim to analyse the operations used by artists to establish relationships between video art and its physical space of instauration from the study of stratified samples of works of art produced betwen the years of 1990 and 2015 in the collections of Contemporary Art Festival Sesc_Videobrasil of Cultural Association Videobrasil, from research project \"Collection of Video art from Pará: sistematization and critical analysis\" (CNPq/SEC/MinC) and the works of art collected during our Research Internship Abroad. We used a hipothetical-deductive approach and a tipological method of procedure. In the first chapter we will rise some characteristics of the physical space and the mechanisms of its representation in bidimensional images. In the second chapter we discuss the video characteristics from the convergences/specificities related to some practices and movements on television, cinema and computer, showing the problematization of videoart in the space of gallery. In the third chapter we indicate the analysis of two possible video\'s spacialization, related to the physical size of the image exhibted. We called the first operation micro-spacialization, related to video in small size in its relationships with the space and public body\'s, constituted by the following modes of spacialization: 1)Video-space; 2) Device-space; 3) Video-distension. The second operation Macro-spacialization, is related to video exhibition in large scales from video projections and the multiplication of monitors, formed by these modes of spacialization: 1) Cinema-situation; 2) Video-scenario; 3) Video-dilatation. To the analysis of these situations we used the studies of some authors, including: Arlindo Machado (1997 and 1988), Brian O\'Doherty (1999), Chris Meigh-Andrews (2014), Claire Bischop (2005), Erika Balsom (2013), Henri Bergson (2012), Lev Manovich (2001), Maurice Merleau-Ponty (2014 and 2011), Michael Rush (2014 and 2006), Noel Burch (2011), Phillipe Dubois (2004), and Timothy Barker (2012). (AU) | |
| FAPESP's process: | 14/16163-9 - Modes of spatialization of video in contemporary art |
| Grantee: | Danilo Nazareno Azevedo Baraúna |
| Support Opportunities: | Scholarships in Brazil - Master |