Full text
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| Author(s): |
Camila Damasceno
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2015-12-15 |
| Examining board members: |
Matteo Bonfitto;
Renato Ferracini;
Stephan Baümgartel
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| Advisor: | Matteo Bonfitto |
| Abstract | |
This research is to investigate the dramaturgical construction of Rodrigo García (playwright and director of the group La Carnicería Teatro) and the production of corporealities from the analysis of the processes of creation and the selected works, considering the prospect of a Performative Theatre, focusing on co-presence of a layer of exploitation of scenic materiality - as the words, bodies, objects, scenery, sounds and lights - and a layer of creating meanings and speeches laden with strong political content. The methodology was based on phenomenology and the search paths indicated a specific work of performative dramamaturgy that seeks to articulate not only the senses but also corporealities from constant friction, providing a perceptive multistability both in the actors and in the audience (AU) | |
| FAPESP's process: | 13/26717-9 - The performative dramaturgy of Rodrigo García and the production of embodiments |
| Grantee: | Camila Damasceno Silva |
| Support Opportunities: | Scholarships in Brazil - Master |