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| Author(s): |
Melissa dos Santos Lopes
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2014-02-21 |
| Examining board members: |
Renato Ferracini;
Marcelo Ramos Lazzaratto;
Ana Maria Inácio Godinho Gil;
Raquel Scotti Hirson;
Eduardo Osorio Silva
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| Advisor: | Renato Ferracini |
| Abstract | |
The territory of the actor creation is a reservoir of experiences in continuos flow. In this process, the narratives that run through the artwork, intensify and reinvent themselves in the present moment of the poetic production. This research wishes to discuss the theater practice from the concepts of memory and microperception, through the intervention of three catalysts, namely, the "accidents", the affections and the punctums. The theoretical discussion is accompanied by some pedagogies focused on the work of the actor, as the interpretative methods of Constantin Stanislavski, Jerzy Grotowski and the practical research of the author with the Group Theatre Matula, Campinas / SP, since 2000 (AU) | |
| FAPESP's process: | 10/07297-0 - The memory, the perception, micro-perception in the creative process of the actor |
| Grantee: | Melissa dos Santos Lopes |
| Support Opportunities: | Scholarships in Brazil - Doctorate |