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| Author(s): |
Raphael Luiz de Araujo
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2017-12-01 |
| Examining board members: |
Claudia Consuelo Amigo Pino;
Veronica Galindez;
Carla Cavalcanti e Silva;
Franklin Leopoldo e Silva;
Nilson Adauto Guimarães da Silva
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| Advisor: | Claudia Consuelo Amigo Pino |
| Abstract | |
Among the plans that Albert Camus has established to his work it has prevailed, in his writings and declarations, the triple that includes cycles of absurd, revolt and love. Each one of the cycles would be composed at least of a theater play, a novel and an essay. Besides, they are also followed by a central myth, being Sisyphus, Prometheus and Nemesis. After Camus sudden death at age 46, he left some traces of what would it be consisted his third cycle: the unfinished novel The first man, notes about the play Don Faust and elements for the essay The myth of Nemesis. The presented research reunites and contextualizes the traces let by Camus around his relationship with the myth of Nemesis in order to offer a reading key to his work and to expose a formal, thematic and philosophical overview of this essay project. (AU) | |
| FAPESP's process: | 14/15584-0 - Nemesis tracks: the last Albert Camus essay |
| Grantee: | Raphael Luiz de Araújo |
| Support Opportunities: | Scholarships in Brazil - Doctorate (Direct) |