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| Author(s): |
Marcela Barchi Paglione
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | Araraquara. 2019-03-06. |
| Institution: | Universidade Estadual Paulista (Unesp). Faculdade de Ciências e Letras. Araraquara |
| Defense date: | 2019-01-24 |
| Advisor: | Luciane de Paula |
| Abstract | |
This research centers itself in the TV series discoursive genre with theoretical foundation in the philosophy of language of the B.M.V. Circle (Vauthier, 2010), to be able to reflect over its architectonic construction, which involves its production and social circulation in the media sphere of activity, as well as its authorial reception by their fans. For that, it has as object the fans response to the TV series Sherlock (2010) created after the trigger of the detective’s fake death during the hiatus between second and third seasons. The main of the research is in the ways of the genre's social reception, specially the transmedia narrative (Jenkins, 2006) as a concretization of the fans’ active-listening in relation to the episode-utterance, because these transcend the barriers of the televised genre in different digital genres, such as blogs, fanfics and fanarts, to the point of becoming a phonomenom on the Web. The main objective is to analyze the architectonic of the TV series genre, specifically Sherlock, as a transmidiatic and cultural phenomenom. For this purpuse, the reception of the fans will be analyzed as an authorial production through their style, as well as the insertion of Sherlock and the TV series in the great time of culture, as an accomplishment of what we call the ethereal chronotope. Hence, the fans’s utterances will be analyzed as a respondent production to the Sherlock series, active and responsive comprehension in society, which (re)signifies the utterances from the genre in media interactions. We hope that this research can contribute to the studies of discursive genres and TV series, taken in a historical, cultural and chronotopic perspective, as well as allow the reflection on the production of fans a form of authorship. (AU) | |
| FAPESP's process: | 17/04260-8 - Sherlock phenomenom: the genre TV series' social reception |
| Grantee: | Marcela Barchi Paglione |
| Support Opportunities: | Scholarships in Brazil - Doctorate (Direct) |