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| Author(s): |
Ligia Rivello Baranda Kimori
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2020-02-07 |
| Examining board members: |
Therezinha Apparecida Porto Ancona Lopez;
Marcos Antonio de Moraes;
Emmanuel Santiago;
Roberto Zular
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| Advisor: | Therezinha Apparecida Porto Ancona Lopez |
| Abstract | |
Mario de Andrade\'s margins (1893-1945) in the works of brazilian and french parnassianism in his library reveals the studious reader and points out the critic\'s and poet\'s paths.Index of participatory reading, the margins notes attached to these volumes make up a set os interests that accompany the trajectory of the polygraph as an expressive part of his formation. The aesthetic resources, the zeal for the sound and the appreciation for formal adaptations remain latent in the exercises of the young poet, in his beginners essays and integrate the modernist field of possibilities, advancing, a lot, the milestone of 1922 Week. Paulistano writer dialogue with the parnassian poets evidences the coexistence with a long lived literary style that allows to measure the reach of this school and to understand the remaining traits in the next generation. (AU) | |
| FAPESP's process: | 15/07966-3 - Mário de Andrade reader of Brazilian and French parnassians |
| Grantee: | Ligia Rivello Baranda Kimori |
| Support Opportunities: | Scholarships in Brazil - Doctorate |